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SKU: Arki-Table Pedrali Central Base Categories: , ,

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Webster High


SKU: Zuiver Webster High Sideboard
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Περιγραφή

The Webster High Sideboard is a perfect fusion of sustainability and timeless design. Crafted from recycled teak with a rich, dark chocolate hue and supported by sturdy iron legs, it brings both elegance and eco-conscious charm to your home. The unique teak grain pattern enhances the visual appeal, making it a standout piece in any living or dining area.

Dimensions in cm: 135 x 35 x 82H

Materials: Recycled teak wood, iron legs , Finish in varnished dark chocolate tone

Επιπλέον πληροφορίες

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DESIGNER

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Miguel Milá

Miguel Milá (Barcelona, 1931) began his career in the architecture studio of his brother at the end of the 50s, when industrial design was barely known in our country. The shortage of objects, means and raw materials made him start designing his own pieces of furniture and lamps. Soon he established his own company, Tramo, acronym for “Trabajos Molestos” (‘annoying works’), where he produced the first versions of the lamps TMC (1958) and TMM (1961), today timeless classics and still for sale. Later on, he founded his own studio. “The truth is I am a pre-industrial designer. I feel more comfortable when working with technical procedures that allow me to correct my mistakes, make experiments along the process and control it as much as I can. That is also why I prefer fine materials, because they really know how to age”.

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DESIGNER

designerarrow

Miguel Milá

Miguel Milá (Barcelona, 1931) began his career in the architecture studio of his brother at the end of the 50s, when industrial design was barely known in our country. The shortage of objects, means and raw materials made him start designing his own pieces of furniture and lamps. Soon he established his own company, Tramo, acronym for “Trabajos Molestos” (‘annoying works’), where he produced the first versions of the lamps TMC (1958) and TMM (1961), today timeless classics and still for sale. Later on, he founded his own studio. “The truth is I am a pre-industrial designer. I feel more comfortable when working with technical procedures that allow me to correct my mistakes, make experiments along the process and control it as much as I can. That is also why I prefer fine materials, because they really know how to age”.

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